A web-based edition of early seventeenth-century political poetry from manuscript sources. It brings into the public domain over 350 poems, many of which have never before been published.
Notes. Sir Walter Ralegh was arrested in mid-July 1603 on suspicion of involvement in two related plots against James I: the Bye Plot, a plan to kidnap the King to ensure he granted toleration to Catholics; and the Main Plot, a plan to engineer a Spanish invasion, the deposition of James I and his replacement by his cousin Arabella Stuart. Ralegh was tried and convicted for treason at Winchester on 17 November 1603, reprieved from execution on 9 December 1603, and spent the next twelve years or so imprisoned in the Tower. In one source (Folger MS X.d.241), the poem is attributed to Thomas Rogers (c.1573-1610), author of Celestiall elegies of the goddesses and the Muses (1598), and of the poem Leycesters Ghost (written c.1605 printed 1641), an attack on the early Elizabethan favourite Robert Dudley, Earl of Leicester.
Watt1 I wot2 well thy overweeninge3 witt
lead by ambitious humours wrought thy fall
Like Phaeton that did presume to sitt
in Phœbus chaire to guide the golden ball
Which overturn’d did sett the worlde on fire
5& burnt him selfe in prime of his desire.4
So thou that didst in thought aspire so hie
to manage the affaires for Englands Crowne
And didst like Icarus5 attempt to flie
beyond thy limitts, now art tumbling downe
10Thy waxen winges are melted by the Sunne
& in thy fall the thred of life is spunn.
From thee the Sonne doth turne away his face
from thee the pale facd Moone doth take hir flight
From thee the Starres do fall away a pace
15from thee thy freinds are fled & shun thy sight
All fly from thee exceptinge only hope
which yet to breathe sad accents give thee scope.
Thou hast byn counted passinge wise & wittie
hadst thou hast grace high treason to avoyed
20Then give me leave dread soveraigne Lord to pittie
so rare a witt should be so ill imployed
Yea suche a witt as I could praise in reason
for any point, exceptinge only treason
I pitty that the Sommers Nightingale
25immortall Cinthia6 sometime dere delighte
that us’d to singe so sweete a Madrigale
should like an Owle go wander in the nighte
Hated of all, but pittied of none
though Swan-like now he makes his dyinge mone
30Hadst thou continued loyall to the kinge7
as to the Queene thou evermore was true
My Muse thy praise might uncontrolled singe
which now is forcst thy dismall happ to rue.
And in this sable Caracters to wrighte
35the downfall of a sometime worthy Knighte.
Ah where is Cinthia now whose golden thred
mighte leade thee from this laborinth of errours8
She to hir soliar9 Celestiall back is fledd
& nothinge lefte for thee but shame & terrours
40Thy Candle is put out, thy glass10 is ronne
the grave must be thy Tombe when all is donn
Proude Gaveston & both the Spencers fell
yet theis were somtime favorites of a Kinge11
But thou against thy Soveraigne didst rebell
45which to thy Conscience needes must be a stinge
Ill was their happ farr worse is thy estate
whom both the Prince doth scorne & People hate.
Humilitie in Statesmen is a praise
yet to imbrace this vertue thou didst scorne,
50Supposinge that faire Cinthias golden daies
should still on earth this Iron age12 adorne
The Common people that did hate thy pride
in chaunge of state thy follies to deride.
Renowned Essex13 as he past the streets
55would vaile his Bonnett14 to an Oyster wife
And with a kinde of humble Congie15 greete
the vulger sorte that did admire his life
And now sith he hath spent his livinge breath
they will not cease yet to lament his death
60But thou like Midas surfettinge with golde16
those gentle salutacions didst reject
And when thou wast in greatest Pompe extolde
not poore Mens love but feare thou didst effect.
This makes those Men whom thou didst lately scorne
65Disdaine thee now, & laugh while thou dost moorne.
Perhapps likewise that Essex angrie spirite
pursues thy life & for revenge doth crie17
And so the Heavens accordinge to thy merite
in his behalfe do acte this Tragedie.
70Essex was made the Prologue to the playe
which thou didst penn in an unluckie daye
Herein the Kinge should play a tragique parte
Graye18 as a Champion stoutly should have fought
Rawleigh should play the Divell by his Arte,
75Cobham19 should play the foole as he was taught
Lame Brooke20 should holde the booke & sitt him still
to prompt if any mist or Acted ill
This Tragedy was plotted but not acted,
herein was treason cunningly contrived,
80By thee o Rawlye was the same compacted
for which of worldly Joye thou art deprived
Thy life, thy wealth thy liberty & lande
only at mercy of the Kinge doth stande.
If please the Kinge to pardon thy offence
85no doubt thou maist a faithfull Subject prove
And by thy witt & wisedomes Quintessence
recover to thy selfe thy Soveraignes love,
But little hope remaines when faith is fled
& when thy handes seeke bloud beware thy head
90God that foresaw thy treason did reveale it
and blest the Kinge in crossinge thy intent
In vaine could man by policie conceale it
when Heaven against thy purposes is bent.
And Man that unto worldlinges seemeth wise
95is but a foole to him that rules the skies.
Source. BL Add. MS 22601, fols. 64r-65v
Other known sources. Ralegh, Poems 182-85; Bodleian MS Don. c.54, fol. 9v; Bodleian MS Eng. Hist. c.272, fol. 46v; Bodleian MS Rawl. Poet. 172, fol. 14r; BL Add. MS 38139, fol. 192v; BL MS Harley 3910, fol. 14r; BL MS Harley 6947, fol. 212r; BL MS Stowe 962, fol. 84r; Folger MS V.a.339, fol. 211v; Folger MS V.a.345, p. 177; Folger MS X.d.241, fol. 1v
B4
1 Watt: common contraction of Walter. <back>
2 wot: know; and a pun on Wat/Walter. <back>
3 overweeninge: arrogant, presumptuous, conceited. <back>
4 Like Phaeton...prime of his desire: allusion to the mythological story of Phaeton, who persuaded his father Phoebus, the sun god, to allow him to drive the chariot of the sun, with disastrous consequences. The myth was widely used in this period to attack courtiers who overstepped the proper bounds of their station. <back>
5 Icarus: Icarus, son of Daedalus, escaped from Minos with his father, flying with wings attached by wax; when he flew too near the sun, the wax melted and Icarus plunged to his death. <back>
6 immortall Cinthia: Elizabeth I. Poets and painters routinely portrayed the Queen as Cynthia, goddess of the moon. <back>
8 Cinthia now...laborinth of errours: allusion to the myth of Ariadne, whose thread helped Theseus escape from the Labyrinth. <back>
9 soliar: Rudick (Ralegh, Poems 183), working from Folger MS X.d.241, reads this word as “spheare”. <back>
10 glass: i.e. hourglass. <back>
11 Proude Gaveston...favorites of a Kinge: allusion to the falls of the favourites of King Edward II (reigned 1307-1327): Piers Gaveston, and the Spensers (or Despensers), Hugh the elder and Hugh the younger. <back>
12 this Iron age: in classical mythology, the decayed, present age. <back>
13 Essex: Ralegh’s bitter court rival in the 1590s, Robert Devereux, 2nd Earl of Essex, who was executed for treason in 1601. <back>
14 vaile his Bonnett: remove his hat. <back>
15 Congie: congee; a bow. <back>
16 But thou like Midas...golde: King Midas of Phrygia was granted his wish that all he touched should turn to gold. This line might refer to the riches Ralegh accumulated as the holder of various lucrative patents and monopolies under Elizabeth I. <back>
17 Essex angrie spirite...doth crie: Ralegh was widely suspected of involvement in the alleged plot to destroy Essex. This charge is the main theme of the contemporary verse, “To whome shall cursed I my Case complaine”. <back>
18 Graye: Thomas, Lord Grey of Wilton, participant in the Bye Plot. <back>
19 Cobham: Henry Brooke, Lord Cobham, implicated in both the Bye and Main Plots, whose evidence was crucial to the prosecution case against Ralegh. <back>
20 Brooke: George Brooke, younger brother of Lord Cobham, and participant in the Bye Plot. <back>